I feel strange. I was aware of Chvrches through their name alone and was very put off by it – in my head it manifests as Chvurchevesezeches – and so I ignored them in the hopes that they’d go away.
Pixies were on Jools Holland last week. I watched it. Chvrches were also on and I was feeling open-minded (read: lazy) so I chose not to fast-forward it. Not exactly to my tastes, I thought, but certainly intriguing. Their second song came after an interview with Black Francis, so I couldn’t ignore it, could I?
On that Saturday morning, sat in my pants and eating leftover Chinese food, I found myself thinking that this band were actually kind of great. That thought stuck with me all the way ’til Wednesday, when I decided that I could take it no longer and marched myself to HMV.
I bought an album that’s in the top 10 this week… because of telly. They’re so goddamned new that only one of their members has a Wikipedia page.
It was a great fucking decision.
The Mother We Share is both the first track on the album and my introduction to the group. Plenty of interesting things going on. Snappy synths and a lovely warm wash of a chorus. I’m not sure you could find a way to not like something about this song. She also swears. I love swearing! We Sink has another fuck. Is it because they’re from Glasgow?
Gun is a single or something. It’s got a video. Lots of nice colours! I could probably boogie to this, and I hate dancing. I really do. That’s just how good it is.
Time for the slow track. Yay. Tether is a nicely atmospheric track, gloomy guitars, muffly bass and the sort of beat your heart does when you’re about to do something terrible. This is probably the electronic equivalent of the classic LOUDquietLOUD dynamic. Naturally, things get more complicated towards the end. This song deserves a decent video at some point.
Lies is the song that swayed me on that cold morning, wrapped up in my quilt and cradling my rice. It reminds me quite a bit of Black Celebration-era Depeche Mode – it may seem to be conventionally poppy but there’s also something horribly wrong, something unsettling. A nice splodge of Nine Inch Nailsian noise at the end too.
Oooh! Under The Tide is sung by somebody else, but I don’t know who does what at this stage so you will have to make up his name. Far from simply being a ‘letting Ringo sing’ moment, it’s a very good song and fits perfectly on the record.
I bought the CD, but this is probably where you turn the LP over.
Recover is a pop sandwich – bright and bouncy bread with a filling that pleads for better, some salad, some cheese, anything. An utterly brilliant track.
What’s going on here? Science/Visions is going on, that’s what. For some reason it reminds me of Akira. Does that make me a massive nerd? It’s a very oppressive song. I love it.
Lungs brings to mind some of the more damning songs from Nine Inch Nails’ Year Zero. While it doesn’t necessarily sound like NIN it’s not lyrically dissimlar to songs like The Warning.
Closing time. You Caught The Light has some nice Martin Gore vibes and has other fella singing again. It ends things on a nice quiet note and leaves you feeling that, yes, you would quite like to play the album again.
You know what? That’s just what I did.
The Bones Of What You Believe is an excellent record and I’m very pleased that it exists and is successful. It deserves it. I’m also happy that people are buying such great music lately. Thank you, people.
Chvrches deserve all the success they can get. They write, perform and produce their own material and seem to do what the hell they like, which is always admirable. We have a female singer who sings like a real person and isn’t willing to take any of your shit. We also finally get some decent new electronic music that doesn’t have any shitting dubstep in it and isn’t trying to make me dance or buy trainers. It’s all very refreshing..
Everybody have a look at these people. They are awesome.
The Bones Of What You Believe track list:
- The Mother We Share
- We Sink
- Under the Tide
- Night Sky
- By The Throat
- You Caught The Light